“He wanted $200 for it. Now it’s worth millions”: Andy Summers was skeptical of Telecasters at first – until he found one that would become one of his main Police guitars
The Strat-lover’s head was eventually turned by a modded Tele that ended up becoming one of his go-to guitars
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
You are now subscribed
Your newsletter sign-up was successful
Andy Summers is a Strat fanatic, yet his chart-smashing career with The Police was also partly defined by a heavily modded and rule-breaking Tele – but he was hesitant to adopt the guitar at first.
He calls the Tele and his red 1962 Fender Stratocaster, for which he is most widely known, “major historical items” today. The Tele was bought in California in 1972, the year before he relocated to London, and the peculiarly modded electric guitar is steeped in mystery.
Many disagree on its probable year of birth, although it's unanimously believed to have been a special-order guitar. And while Summers is left scratching his head as to why the original modder still hasn’t come forward, given its providence, he’s ultimately glad he ditched his initial reservations about it.
“When I got it, I’d said, ‘I don't know if I want to…’” he tells Kylie Olsson’s Life in Six Strings, saying that he initially thought Teles to be a “country instrument”. “But then I took it home, and I played it for hours.
“It's a hybrid,” he develops. “It came through an era when everybody was messing about with their guitars, and this guy put a humbucker in the front, which is totally against the Telecaster thing.
“This little switch goes into overdrive; it’s like putting on a fuzz pedal. And you can combine the two pickups, which normally, you wouldn't be able to do on a Telecaster.”
Affording it, though, was another matter altogether.
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
“He wanted $200 for it. I didn’t have the money, but I said, ‘I want it,’” Summers recalls. “I can't even remember how I got the money, but for years I would just travel around, throw it in the back of a van, never even really thinking about it, but now it's an iconic instrument. It’s worth millions.”
The guitar was used throughout his time with the band, which saw him frequent the charts with startling regularity. But at the height of The Police’s powers, Summers felt he needed an artistic challenge, so he turned to King Crimson’s Robert Fripp for a remarkably oddball collaboration, despite admitting he doesn’t like King Crimson’s work.
In related news, the legal wranglings between Summers, Police drummer Stewart Copeland and their former bandmate, Sting, continue, with Sting reportedly paying out $800,000 to the pair in light of legal action taken against him. In response, they've said the sum is a “historic underpayment” for their contributions to the Police's hits. Sting’s lawyers, meanwhile, suggest they were actually overpaid.
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.
You must confirm your public display name before commenting
Please logout and then login again, you will then be prompted to enter your display name.

