The veteran guitarist has, in his infinite mercy, granted us a rare interview. (Perhaps the imminent release of the new Deep Purple album, Slaves And Masters, featuring Purple's latest member, Joe Lynn Turner, has something to do with this.) At the moment, Blackmore is dining with some friends; he is to join us at the conclusion of his meal.
“We were stuck in Switzerland with nowhere to go, and a friend of ours who was the mayor of the town said that there was an empty hotel we could use,” recalls Ritchie Blackmore. “We gladly accepted and retreated to this lonely hotel in the mountains. We set up all the equipment in the corridor, with the drums and some amps tucked into alcoves."
Playing live might be the best way to hone your performance skills, but when it comes to technique, you need practice, practice, practice. If you play an electric guitar, your woodshedding sessions demand an amp that not only reveals the details and nuance of your playing but also sounds great—so great that it makes you want to practice more and become the best guitarist you can.
1001 Jazz Licks: A Complete Jazz Vocabulary for the Improvising Musician presents 1,001 melodic gems played over dozens of the most important chord progressions heard in jazz. This is the ideal book for beginners seeking a well-organized, easy-to-follow encyclopedia of jazz vocabulary, as well as professionals who want to take their knowledge of the jazz language to new heights.
10,000 Light Years Ago is the superb new studio album by legendary Moody Blues bassist John Lodge. It’s Lodge’s first album of new solo material since 1977's Natural Avenue. The album contains some of Lodge's most personal songs and even features guest performances by former Moody Blues members Ray Thomas and Mike Pinder.
J.J. Cale was one of those players—an incredibly gifted soul who made any musical situation he was a part of better.
Lauded by other players—some of the best in the business, in fact—but blessed/cursed with a talent:ego ratio that prevented him from ever touting his own horn very loudly. Marc Ford is another one of those players.
Many people believe that possessing talent alone is enough to guarantee an artist success in the music business. Nothing could be further from the truth. In a perfect world, the best musicians — the best guitarists — would be amply rewarded for their abilities. The music business, however, is far from perfect.
I was a little kid, like six or seven years old, when the Beatles came out. I remember hearing their music and I couldn’t imagine where that sound was coming from. Then I saw a picture of the Beatles, and George [Harrison] had an electric guitar, and I was like “That’s it!” It was that sound—the sound of George’s guitar—that first captured me when I was really young. It all goes back to that sound.