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Latest Features

“I’m never going to out-do Yngwie”: Richie Faulkner on Priest’s new album and why he’s no shredder
By Amit Sharma published
Judas Priest's Invincible Shield finds the British metal institution surviving against the odds. Its very own bionic man Richie Faulkner gives us the guitar POV on a venerable work of British steel

“Paul said he’d do anything to make it happen”: Herman Li on his switch to PRS
By Amit Sharma published
Paul Reed Smith wanted to do something but I had to explain it was my dream as a kid to have an Ibanez signature. Paul said he’d do anything to make it happen

Adrian Belew on how King Crimson made an underrated prog classic in “this industrial musical junkyard we created”
By Ryan Reed published
Adrian Belew reveals what went on behind the scenes during the making of the band’s dual-personality 10th album, Three of a Perfect Pair – the final studio release from the Fripp/Belew/Levin/Bruford crew

Mark Knopfler on the guitars he couldn't bear to part with, and the six-strings that surprised him on One Deep River
By Jamie Dickson published
On the back of his stirring new album, the guitar icon discusses the primacy of songwriting, and how his relationship with the instrument has changed

Meet 9 of Fender’s most elusive offset guitars
By Jamie Dickson published
From Fender Japan exclusives to mid-’60s unicorns, and a 1958 Sparkle Sunburst Jazzmaster that’s a holy grail in anyone’s book…

Jakob Nowell, son of Sublime’s Bradley, uses late dad’s custom guitar to reunite the band
By Andrew Daly published
Jakob Nowell doesn’t sing or play like his father, and spent years trying to avoid riding his coattails – but he’s determined to get the reactivation of the ’90s punk-rock icons right, and in his own way

No Doubt’s Tom Dumont names 10 guitarists (and one genre) that shaped his sound
By Gregory Adams published
The No Doubt and Dreamcar guitarist attempted two Rush songs at a seventh-grade talent show, chunked up on Black Sabbath and later named his son after Ace Frehley – but reggae got deepest into his heart

Lou Reed once recorded an avant-garde album consisting solely of guitar feedback
By Janelle Borg published
Metal Music Machine nearly cost Reed his reputation… over the years, it became a source of inspiration for Sonic Youth and Neil Young

The Clash's Paul Simonon reflects on that iconic London Calling moment
By Nick Wells published
Paul Simonon smashed his Fender P-Bass during a concert at New York’s Palladium on September 20th, 1979

Blondie’s Chris Stein talks folk and jazz influences, fighting with early effects, and his MIDI future
By Joe Matera published
The co-founder of one the most beloved bands of the '70s and '80s recalls taking advantage of the time when they could go crazy in the studio, the one guitar he wishes he’d never sold, and another that you’ll recognize if you own it
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