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Joe Bonamassa explains what makes a great blues guitar player
By Andrew Daly published
The guitar phenom offers his own definition of greatness, and reveals his 3 best guitars for blues

How social media is affecting our perception of guitar playing
By Justin Sandercoe published
Be inspired but don't be intimidated by social media virtuosity, says respected guitar tutor Justin Sandercoe. Remember, these influencers are pros and you're only seeing them at their best

Verdine White picks his top 5 Earth, Wind & Fire basslines
By Nick Wells published
Earth, Wind and Fire’s pocket-perfect bassist names his best basslines

“I heard Eruption by Van Halen and I was like, ‘What is that?!’ I love to push the boundaries, and I love when it sounds crazy”: Meet Emi Grace, the Trashy Tone Thursday pioneer tearing up the shred rulebook and taking on the haters
By Cheri Amour published
The 21-year-old LA native had over 10-million views on her Fender TikTok showcase last year. She tells us how she came up with her jaw-dropping brand of electro-shred, the joys of upgrading Stratocasters and why she fell in love with trashy guitar tones

“Noel Gallagher gave me one of Peter Green’s Gibson Les Pauls. Johnny Marr had given Noel a guitar, and maybe he felt it was customary that he do the same”: Bill Ryder-Jones on his ascent to UK indie rock royalty
By Andrew Daly published
The former Coral guitarist has gone on to release captivating solo material. He shares stories of recording with Noel Gallagher, tracking solos with Arctic Monkeys’ Alex Turner, and why he isn’t as good a player as he used to be – but he’s OK with that

“Playing at the Super Bowl is the easy part. It’s the musical director responsibilities leading up that’s stressful”: Adam Blackstone heads up the biggest gigs on the planet – now with a 5-string Jackson bass named after his grandmother
By Amit Sharma published
The Emmy and Grammy winner has led the musical charge for everyone from Rihanna to Eminem and Justin Timberlake. He explains why he went for Jackson over Fender for his signature bass, what makes five strings essential to his style, and how he leads the band while laying down the groove

“I could have headed towards blues or shred. I chose blues… Fast-forward to 2020, I decided to become a 12 year-old learning guitar again – I went the other way and got an Ibanez with a Floyd Rose!” Gary Clark Jr. is finally unleashing his inner shredder
By Amit Sharma published
On his powerful and experimental new album, Gary Clark Jr. is channeling the pioneering spirit of the greats and finding new shades of blue

“I have Marshall, Orange and Victory amps, but they just don’t have the bark I need for this project. The 5150 is what metal sounds like to me”: Meet Jaguar Throne, the UK metal big beasts following in the hoofprints of Mastodon
By Amit Sharma published
Steve Sears builds a bestial, musically adventurous sound with dark prog vibes, monster riffs and some serious production savvy
![The Gaslight Anthem's Alex Rosamilia [left] and Brian Fallon live onstage in London](https://cdn.mos.cms.futurecdn.net/Z36eCsuZHnH5JrU68pYe7K-320-80.jpg)
“Some people use one guitar, one amp, and then, ‘This is what I am going to use for the rest of my life’... We change it up as much as we can”: The Gaslight Anthem are on an eternal tonal quest
By Jonathan Horsley published
Brian Fallon and Alex Rosamilia give us the guitar story behind comeback LP History Books – and tell us why you might hear a Def Leppard influence if you listen closely enough

“I just need one good sound and I’m set. A lot of players forget that”: Gus G’s tone and soloing philosophy is always evolving – and right now, it’s full of Floyd Rose divebombs
By Amit Sharma published
The Greek guitar phenom goes over the top on Firewind's new album, Stand Up, proving that all those hours locked away with Paul Gilbert instructional DVDs did not go to waste
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