“Joe Satriani said,‘Every time I do an album, I feel like the first song I have to prove that I can play guitar’”: Why Paul Gilbert thinks it’s important to practice restraint when it comes to shredding

Paul Gilbert press photo for his album WROC
(Image credit: Sam Gehrke)

It’s been 10 years since a Paul Gilbert album featured vocals, and the stalwart shredder says he’s back behind the mic because it helps him resist the urge to litter his music with too many backflips and arpeggios.

He's released four albums since 2016's I Can Destroy, including an acrobatic Dio tribute, and the most virtuosic Christmas album we're likely ever going to hear. For a guitarist whose reputation has been on testing the limits of what the electric guitar can do, he admits it's far too easy to get carried away.

Gilbert understands the one-upmanship of guitar solos; there’s a fierce competitiveness that comes with the territory. On his new album, WROC (Washington’s Rules of Civility), he’s trying to show a little restraint.

“There’s this athletic element where you want to prove that you can still swim – like you’re [23x Olympic medalist] Michael Phelps, ‘I can still swim just as fast as I did when I was 22!’” he laughs.

“That’s a hard thing to resist. And obviously, there are a lot of places where I didn’t resist and went crazy.”

For evidence of him behaving himself on the album, he points to his U2-coded solo on Orderly and Distinctly, which sees “playing a three-note melody over and over again,” rather than treating his trusty Ibanez Fireman guitar – complete with a slide magnet – as if it owes him money.

Paul Gilbert - Go Not Thither (Music Video) WROC - YouTube Paul Gilbert - Go Not Thither (Music Video) WROC - YouTube
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Speaking to Guitar World in 2024, he explained: “Whenever a guitar student of mine brings up BPMs, I’m like, ‘Oh no!’ That mindset is not a musical mindset. That’s the wrong door to get in the building!”

He’s taught some notable players, too, including some rather unexpected clients. Wolfgang Van Halen has raised eyebrows by revealing that his dad, the late great Eddie Van Halen, was an awful guitar teacher.

Accepting defeat, he says his dad once asked Paul Gilbert to give him a lesson instead, which he did once he’d picked his jaw up off the floor.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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