“I texted Jake and told him, ‘There’s no way in hell I’m taking that solo. You’re going to play it!’” Why Nuno Bettencourt said no when Jake E. Lee asked him to play one of his iconic Sabbath solos at Back to the Beginning
The Extreme virtuoso played plenty of guitar during Black Sabbath and Ozzy Osbourne’s farewell show, but he drew the line at this solo
Black Sabbath’s epic farewell show, Back to the Beginning, was a mammoth undertaking for everyone involved. That's especially true for Nuno Bettencourt – the 'MVP' of the event, who ended up playing on 12 songs.
There was one guitar part he drew the line at, though: Jake E. Lee's guitar solo on The Ultimate Sin, which Lee asked him to cover going into the show.
For Back to the Beginning, the Extreme shredder was already pencilled in to play Bark at the Moon, Jake E. Lee’s signature Ozzy tune, which Lee himself couldn't play in light of his health struggles.
But when it was suggested that Nuno could come to his aid one more time, Bettencourt had other ideas.
“At one point, Tom Morello said, ‘Jake said, ‘I know Nuno has a lot on his plate, but could he maybe take the Ultimate Sin solo?’” Bettencourt details in the new issue of Guitar World. “We all know that, as legendary as Jake is, he's struggling a little bit, as we all do as we get older and don't know what's going to happen to our hands and bodies.
“But I told Tom, ‘Give me his phone number right now.’ I texted Jake and told him, ‘You are fucking Jake E. Lee. There's no way in hell I'm taking that solo. You're going to play that solo. And not only that, I'll double it with you, and we'll do it together. Whatever happens, it's going to be fucking incredible,’ and that's what we did.”
The song was intended as Lee’s Plan B. Bettencourt appreciated the situation; Morello, who felt Lee’s presence was integral to the day’s success, was trying to make his life easier.
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
But Bettencourt felt Lee needed – no, deserved – his time in the spotlight, given the context of the event. So, not only did he refuse to budge on The Ultimate Sin solo, he also walked off stage mid-song during Shot in the Dark, leaving Lee on his own and giving him his time to shine.
“I was supposed to play on Shot in the Dark. I didn't tell anybody I was doing it – but I just walked off the stage,” he laughs.
“I wanted Jake to have his moment without another guitar player stealing his thunder. And Jake nailed it. We all came from one-guitar bands. We didn’t want rhythm guitarists. I wanted Jake to have his one moment up there by himself, so I just left. And Jake nailed it.”
Check out Bettencourt’s new interview in full in the latest issue of Guitar World, which takes an in-depth look at the year in guitar. Grab a copy from Magazines Direct.
Meanwhile, Bettencourt, who recently launched his own guitar brand, has apparently shown off his ice skating skills in a new music video.
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.
You must confirm your public display name before commenting
Please logout and then login again, you will then be prompted to enter your display name.

