LessonsFun with Two Bright-Sounding, Uniquely Flavored Scales Built from the Same Six NotesBy Jimmy BrownApr 19, 2018
LessonsWhat do Stone Temple Pilots, Phish, Led Zeppelin and the Beatles Have in Common? This ProgressionBy Jimmy BrownApr 17, 2018
MagazineThe Attractively Balanced and Highly Musical E Minor Hexatonic ScaleBy Jimmy BrownApr 4, 2018
LessonsThe “b7 Minor-Drop” Progression, As Used by Led Zeppelin, the Beatles, Black Sabbath and MoreBy Jimmy BrownMar 9, 2018
MagazineBluesy SRV, Betts and Page-Style Soloing Over a Mid-Sixties Jazz ClassicBy Jimmy BrownFeb 22, 2018
MagazineGuitar World's Jimmy Brown and Paul Riario Play Rock Arrangement of "Deck the Halls"By Jimmy BrownDec 18, 2017
LessonsAnother Useful, Lower Repurposing of the Sus4b9 Arpeggio, Plus an Exotic Wide-Interval VariationBy Jimmy BrownNov 9, 2017
ColumnsEerie Arpeggios, Part 3: Describing the Haunting 7#9 Sound MelodicallyBy Jimmy BrownAug 9, 2017
LessonsEerie Arpeggios: Using Movable Addb2 Shapes to Create Haunting Lead LinesBy Jimmy BrownJun 29, 2017
LessonsUsing Double-Stops and Add-2 Arpeggios to Create “French Horn Fifths”By Jimmy BrownJun 5, 2017
LessonsCombining "Walking Bass" and "Flat-Four" Comping on Jazz-Blues ChangesBy Jimmy BrownJun 27, 2016
LessonsThe Conclusion of My Wailing, David Gilmour-Style “Moonlight Sonata” MelodyBy Jimmy BrownFeb 3, 2016
MagazineHow to Play the Remaining Hypnotic Arpeggios in Beethoven's “Moonlight Sonata” — VideoBy Jimmy BrownDec 23, 2015
MagazineHow to Play the Dreamy Arpeggios in Beethoven’s “Moonlight Sonata” — VideoBy Jimmy BrownNov 5, 2015
MagazineString Theory with Jimmy Brown: The Conclusion of Franz Schubert’s “Ave Maria” for Guitar — VideoBy Jimmy BrownOct 28, 2015
MagazineString Theory with Jimmy Brown: Franz Schubert’s “Ave Maria” for Solo Guitar — VideoBy Jimmy BrownSep 10, 2015
MagazineString Theory with Jimmy Brown: The Conclusion of Frédéric Chopin’s “Prelude in E Minor” — VideoBy Jimmy BrownAug 13, 2015
