Jimmy Brown
Over the past 30 years, Jimmy Brown has built a reputation as one of the world's finest music educators, through his work as a transcriber and Senior Music Editor for Guitar World magazine and Lessons Editor for its sister publication, Guitar Player. In addition to these roles, Jimmy is also a busy working musician, performing regularly in the greater New York City area. Jimmy earned a Bachelor of Music degree in Jazz Studies and Performance and Music Management from William Paterson University in 1989. He is also an experienced private guitar teacher and an accomplished writer.
Latest articles by Jimmy Brown

How mastering the concept of rests and ties will make you a better musician
By Jimmy Brown Published
Your comprehension of this fundamental aspect of rhythmic notation is crucial if you're looking to write and read music

How to borrow chords from a parallel minor key and lend your songs a bittersweet edge
By Jimmy Brown Published
Learn a songwriting trick used by everyone from Eric Clapton to The Beatles

How to tune your guitar by ear
By Jimmy Brown Published
Train your ears with our guide to tuning a guitar for beginners - no tuner required

Beginner guitar: lock down your rhythm playing with this lesson in basic note durations
By Jimmy Brown Published
Everything you need to understand the concept of timing in popular music

Shake up your songwriting by borrowing chords from a parallel minor key
By Jimmy Brown Published
With examples of the technique employed in famous songs across different genres

Give your major-key compositions a moment of darkness by employing the 'four minor' chord
By Jimmy Brown Published
How borrowing chords from parallel minor keys can refresh your songwriting

Change the mood and spice up your tunes with parallel major and minor keys
By Jimmy Brown Published
Impart a touch of sadness or melancholy to an otherwise happy and predictable-sounding progression

The technique secrets of the decade's best guitarists
By Jimmy Brown, Sam Roche Published
A rundown of the explosive playing styles of Mark Tremonti, Tosin Abasi, Gary Clark Jr. and Nita Strauss

Make your compositions soar using augmented climb progressions
By Jimmy Brown Published
How to inject a sense of drama into your songwriting

How using the augmented chord in a minor drop progression can change your songs
By Jimmy Brown Published
Paul McCartney, David Gilmour, George Harrison, Tom Petty and many more have done this in their music, so why shouldn't you?

This compositional trick has been used to great effect by Nirvana, Stone Temple Pilots, The Eagles, Queen and many more
By Jimmy Brown Published
Learn how to walk down scales with contrary motion

Add tension to your compositions by using augmented chords in major keys
By Jimmy Brown Published
Learn how to use this crucial chord beloved by The Beatles

Master some useful melodic tactics for a minor jazz-blues progression
By Jimmy Brown Published
In this lesson, learn some cool, musically effective things to play over a rather dark, intriguing set of chord changes

What do Stone Temple Pilots, Phish, Led Zeppelin and the Beatles have in common? This progression
By Jimmy Brown Published
Diving into the "major chromatic drop"

Inject some drama into your compositions with the sweetly painful augmented chord
By Jimmy Brown Published
Learn how to use this somewhat painful- yet sweet-sounding chord to dramatic effect

The Ultimate Transition Chord, Part 3: Old-School, Jazzy Dim7 Resolutions
By Jimmy Brown Published
Learn how to employ this restless yet alluring chord as a musical attention grabber.

How to Play the Dreamy Arpeggios in Beethoven’s “Moonlight Sonata”
By Jimmy Brown Published
Learn this neat, May and Gilmour-influenced guitar arrangement of “Moonlight Sonata.”

The Ultimate Transition Chord, Part 2: Major and Bluesy dim7 Resolutions
By Jimmy Brown Published
Learn some interesting applications of this harmonic enigma, and a few ways to get more musical mileage out of it.

Colorful Jazz-Blues Chord Substitutions
By Jimmy Brown Published
Some commonly used variations that adventurous musicians will often interject into their playing.

What to Remember When Learning Robert Johnson's "Cross Road Blues"
By Jimmy Brown Published
This historic 1936 recording by Robert Johnson of one of his classic songs showcases the pioneering Delta bluesman’s trademark funky, aggressive fingerstyle attack and rhythmically free and quirky phrasing style.

Adding Tension to the Minor Jazz-Blues Progression
By Jimmy Brown Published
Learn some cool variations of this progression that feature added chord changes and spicier harmony and voice-leading.

Shredding with the Minor-Drop Progression
By Jimmy Brown Published
Using movable and transposable four-note arpeggios to create fun and exciting runs.

Meet the Major Diatonic Drop, a Progression Used by Ozzy Osbourne, Glen Campbell and John Lennon
By Jimmy Brown Published
Learn about the major diatonic drop, and how you can use it to great effect in your own songwriting.
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