Many people believe that possessing talent alone is enough to guarantee an artist success in the music business. Nothing could be further from the truth. In a perfect world, the best musicians — the best guitarists — would be amply rewarded for their abilities. The music business, however, is far from perfect.
Whether it was jealousy, ego or apathy, the other members of the band didn't seem to care too much for the tune when Harrison introduced it to them and attempted to record initial takes on August 16. After more work on the song on September 3 and 5, he decided he didn't like what he heard and scrapped the recording.
Nineteen hundred and seventy-three is one of those rare years — like, say, 1968, 1969, 1971 and 1991 — that saw the release of an impressive assortment of seminal rock albums. As we wrote two years ago in our 1971 roundup, "Even for a year that falls squarely in the heart of the 'classic rock' era, it was a particularly classic year."
Her solo career has yielded six albums that have topped the Contemporary Jazz charts, along with producing 10 No. 1 radio singles. But saxophonist Mindi Abair is definitely no stranger when it comes to rock and roll. A product of the public school music program, Abair has shared the stage with the likes of Bruce Springsteen and Duran Duran.
Throughout this title track to Jason Becker’s landmark 1988 debut album, the phenomenally gifted and accomplished young guitarist frequently employs a lead-playing technique known as sweep picking to help perform the many swift and nimble-fingered arpeggios used to convey his classical virtuoso-style melodic ideas.