“It was not only an honour but deeply moving”: Bernie Marsden’s $1million ‘The Beast’ Les Paul was just played on stage by Slash’s favorite current British blues rock guitar hero

Chris Buck and Bernie Marsden
(Image credit: Chris Buck YouTube / Getty Images)

British blues rock guitar ace Chris Buck was recently reunited with Bernie Marsden's $1 million 'The Beast' Les Paul, when he was given the opportunity to play it on stage for the second time.

The late Whitesnake guitar great, whose influence spans generations of blues and rock guitar players, bought the 1959 Les Paul Standard in 1979 for £600. He played it relentlessly and used it to record every one of his Whitesnake guitar parts, including the singing-into-your-hairbrush classic Here I Go Again, which he co-wrote with David Coverdale.

His rig, he says, has changed “fairly significantly” since the group's recent US tour. The most significant change, naturally, was the fact The Beast was a special guest for the band’s show at Camden, London’s gorgeous Koko venue.

“The Marsdens – Liv, Charlotte, and Fran – very kindly offered for me to play the guitar this evening,” Buck says.

“My friendship with Bernie aside, it's such a beautiful guitar. It's particularly poignant to play it at such a big show,” he continues. “There's not much more to say that hasn't been written or said already; it's a stunningly beautiful guitar. Scarcity and value and everything else aside, it just sounds great.”

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There were around 1,500 crammed into the venue for the band’s biggest London show to date. Reflecting on his second dance with the LP after the gig, he couldn’t help but think of the added personal poignancy it held.

“Bernie was a wonderful man, musician, and songwriter who, in a strange twist of fate, passed away on the same day as my father,” he wrote on Instagram. “Closing the show with Bernie’s iconic ‘Burst on Push/Pull – a song about my dad’s passing – and Tied Up in Blue was not only an honour but deeply moving.”

Shortly before Marsden's passing, Guitarist was granted an up-close-and-personal tour of the electric guitars he was willing to sell, including a 1950 Gibson ES-5 in remarkable condition and an early Les Paul Goldtop from 1952 saddled up with P-90 pickups.

Buck recently explained why Yamaha Revstars have usurped Fender Strats in his live rig, believing the Strat comes with plenty of “baggage”. He also recalled the time Slash came to his band's aid when they needed to sort visas for their US tour.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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