“It's the biggest show on the planet... I'm like, ‘Oh you gotta be kidding me right?’” Zakk Wylde recalls his “Spinal Tap moment” during Back to the Beginning

Zakk Wylde performs in concert at Emo's in Austin, Texas on July 10, 2016
(Image credit: Rick Kern/WireImage/Getty Images)

Having Zakk Wylde for what would turn out to be Ozzy Osbourne's – and by extension, Black Sabbath's – final show, Back to the Beginning, was a no-brainer considering he was, on and off, the Prince of Darkness’ right-hand man and go-to guitarist since 1987.

However, such a large-scale event doesn't happen without its fair share of technical hurdles, and Wylde recalls what he calls his “Spinal Tap moment” during the show that drew 40,000 metalheads to Villa Park in Birmingham, and an additional 5.8 million on the accompanying livestream.

“When we were doing Mama, I’m Coming Home, I remember… the friggin’ acoustic’s over here, and the mic stand’s over there, and I’m like, ‘Oh, you gotta be kidding me, right?’” Wylde recalls of that day.

Ozzy Osbourne's last gig / Mama I'm Comming Home ( Back To The Beginning) 05.07.2025 Birmingham - YouTube Ozzy Osbourne's last gig / Mama I'm Comming Home ( Back To The Beginning) 05.07.2025 Birmingham - YouTube
Watch On

“So I was just hoping maybe Criss Angel [the famed magician and illusionist] could advise me on some magic at this point to try and get the guitar to levitate over the year,” he quips. “But I just couldn't get in touch with Father Criss. So I had to manually pick up the guitar and had to stop playing.”

Looking back, Wylde describes the whole snafu as “just comedy – because it was the biggest show on the planet. There's always got to be some Spinal Tap moments going on. It just did, without fail. So that was pretty funny.”

Elsewhere in the same interview, Wylde opened up about writing his recent tribute song to Ozzy.

Keep an eye on Guitar World for our upcoming interview with Zakk Wylde.

Janelle Borg

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.

With contributions from

You must confirm your public display name before commenting

Please logout and then login again, you will then be prompted to enter your display name.