Clean, almost all original, lightweight, with PAFs to die for – Gary Moore’s 1962 Gibson Les Paul/SG is a true grail

Gary Moore's 1962 Gibson Les Paul photographed against a light gray background.
(Image credit: Future/Phil Barker)

While it will always seem incongruous to modern eyes, the first SG-shaped twin-humbucker electrics Gibson made were, of course, originally badged as ‘Les Pauls’ before Lester’s name was removed in 1963 and the model became the SG proper. Gary possessed a notably clean example, Steve Clarke, Bonhams guitar expert, explains.

“This is a lovely guitar,” he says. “You’ve got [Patent Applied For pickups] on it. The bridge pickup is 7.53k and the neck is 8.45k. Really nice nickel plating [on the covers], by the way. It’s also got the retaining wire on the ABR-1 bridge [first introduced in 1962] and I also made a note that the bridge is showing signs of dipping in the middle, so that would need straightening.

“I have straightened [old ABR-1s] a few times; it’s a bit tricky. You’ve got to be careful it doesn’t crack – and it’s a chance you take. I’ve not broken one, but you still hold your breath! But yeah, this one’s got the dip in the middle.”

“It’s got a long neck tenon and none of the solder joints [on the pots] look like they’ve been changed. They’ve not come off, which is another nice thing to see. Plus those pickup covers have never come off. That was another thing I noticed.”

Gary Moore's 1962 Gibson Les Paul photographed against a light gray background.

(Image credit: Future/Phil Barker)

Not quite everything is bob-on original, though, and at least two very common mods that made the guitar more usable in the line of professional duty have been made to the guitar.

“It’s had a refret and the current frets are 2.64mm wire. The tulip-button Klusons are repros, too.”

Gary Moore's 1962 Gibson Les Paul photographed against a light gray background.

(Image credit: Future/Phil Barker)

Steve adds that the weight of the SG-shape Les Paul is a feather-like 2.8kg (6.12lb) – and conjectures that this light weight and the desire to avoid the infamous neck-dive sometimes experienced with this model might partly explain why repro plastic Klusons are fitted on this guitar, rather than the chunky (and relatively heavy) Grovers that Gary sometimes favoured when fitting replacement machineheads.

Jamie Dickson is Editor-in-Chief of Guitarist magazine, Britain's best-selling and longest-running monthly for guitar players. He started his career at the Daily Telegraph in London, where his first assignment was interviewing blue-eyed soul legend Robert Palmer, going on to become a full-time author on music, writing for benchmark references such as 1001 Albums You Must Hear Before You Die and Dorling Kindersley's How To Play Guitar Step By Step. He joined Guitarist in 2011 and since then it has been his privilege to interview everyone from B.B. King to St. Vincent for Guitarist's readers, while sharing insights into scores of historic guitars, from Rory Gallagher's '61 Strat to the first Martin D-28 ever made.

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