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The history and preservation of Eric Clapton’s The Fool SG
By Jamie Dickson published
With its psychedelic paint job, Clapton’s iconic Cream-era Gibson SG is a guitar like no other. As it goes under the hammer as part of the Jim Irsay Collection, we take a closer look at The Fool SG

Gibson unearths the only known Kalamazoo factory footage from the ‘Golden Era’ of guitar building
By Phil Weller published
The video offers a fascinating insight into how the Gibson factory operated in the 1950s

David Gilmour’s Black Strat could be about to break records all over again
By Jamie Dickson published
It was the world's most expensive guitar when sold at auction in 2019, but as it goes under the hammer in the Jim Irsay Collection, there are a number of reasons to think it will claim another record

Fender’s John Osborne Telecaster brings the B-Bender back to its ranks for the first time in over 20 years
By Matt Owen published
Fender’s first-ever in-house B-Bender mechanism makes its debut on one of the firm’s most eye-popping Telecasters

Eastwood bravely recreates Mike Bloomfield’s mangled Bob Dylan Telecaster
By Phil Weller published
Bloomfield famously used the Telecaster before its brutal cutaway mod when Bob Dylan went electric at the Newport Folk Festival – and now it’s been remade in all its grisly glory

8 signature guitars that deserve your attention – including models from Fatoumata Diawara, Susan Tedeschi, St. Vincent, Yvette Young, and more
By Daryl Robertson published
From unique SGs to metal monsters and updated classics, these signature guitars cover all the bases

"It’s fast-feeling, streamlined, and distressed already, so go ahead and beat it up - this under $700 guitar is geared for many road miles and serious shredding": Fame Custom ST RW review
By Paul Riario published
Fame delivers an absolute burner of a guitar that exceeds expectations.

“The pickups are so often the Achilles heel of more affordable guitars, and that’s no different here”: Cort Space G6MS review
By Phil Weller published
Cort has been making headless guitars for Strandberg for years, so has its learning translated into a must-have budget axe, or is there work to be done?
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