Features
Latest Features

“John Sykes changed my world”: How Fozzy’s Rich Ward invented Stuck Mojo
By Andrew Daly published
The Marshall fan explains what made him shut down the crossover band he loved, how he developed the perfect partnership with Fozzy bandmate Chris Jericho, and why mid-’70s Les Pauls are the best

10 legendary blues guitars, featuring Lucille, Lucy, Greeny – and the Loch Ness Monster of Les Pauls
By Jonathan Horsley published
Named and famed! Behind every great blues player is a great guitar, and they don’t come more iconic than this...

Flatwound vs roundwound bass strings: What’s the difference?
By Richard Blenkinsop published
Mellow and warm or bright and snappy? We look at the key differences between flatwound and roundwound bass strings

Rock City Machine Co. went from KISS Army to KISS collaborators. Now they're going it alone.
By Andrew Daly published
Ryan Cook and Jeremy Asbrock have worked with Ace Frehley and Gene Simmons, but say it’s time for them to stand on their own, er, four feet...

Why a baritone Les Paul is the perfect prog metal weapon for Wheel’s James Lascelles
By Phil Weller published
Upcoming third album, Charismatic Leaders, kickstarts a new era for the Finnish prog-metallers with a sound that’s stubbornly traditional but powerfully progressive

Meet Ava Mendoza the punk-reared jazz guitar maverick turning breath work to fretwork
By Andrew Daly published
Echolocation is the sound of a player reared on punk taking what you might call jazz into a new place

Inside the sound and style of Motown master James Jamerson
By Chris Jisi published
Five top low-enders with links to the bass great dissect the James Jamerson style

Why Squarepusher (aka Tom Jenkinson) is an artist in a vast left-field league of his own
By Brian Fox published
You may or may not know Squarepusher (aka Tom Jenkinson), but chances are he doesn’t care to know you

“Stevie wasn’t a fluent songwriter”: The making of Stevie Ray Vaughan’s Couldn’t Stand the Weather
By Alan Paul published
In 1984, Stevie Ray Vaughan and Double Trouble needed new tunes and needed them bad, and necessity became the mother of invention as they put together a bona fide blues classic

“You get so much more choice”: How the Japanese Fender offset conquered the world
By Jamie Dickson published
Fender Japan showed the world how radically offsets could be modified. We visited specialist Japanese guitar retailer Gas Station Guitars to chart the evolution of the MIJ offset
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