“I said, ‘Man, where’s my audition?’ They said, ‘You got the gig.’ So I got my job just by warming up”: How Dave Mustaine landed the gig with Metallica
Mustaine looks back at the audition (or, should we say, non-audition?) that landed him the Metallica spot all those years ago
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As Dave Mustaine gears up for the 17th and final Megadeth release – the aptly-titled Megadeth – he's taking the opportunity to reflect on the philosophy and guitar style that not only carried him throughout his career, but defines his legacy as a thrash metal pioneer.
“The term ‘rhythm guitar player’ seems a little diminishing for me,” he tells Premier Guitar. “I love the riff.”
It’s precisely the riff-centric approach that landed him his gig with his pre-Megadeth band, Metallica, and one that would bring more eyeballs (and ears) to his playing.
Article continues below“When I went to Norwalk [California] the day that I met James Hetfield and [original Metallica bassist] Ron McGovney, I didn’t know what was gonna happen,” he admits. “Nobody did. But I had my style, and it was based around the riff.
“I went in there, and I didn’t have any Marshalls yet because I was just starting to get serious. I had these Risson amps – they were tan, so from the moment I set up my stack, I was different.”
He continues, “I plugged in my guitar and I started warming up, and I kept warming up and warming up. And I finally said, ‘Where the fuck are these guys?’ I set my guitar down and switched my amp to standby.
“And then I went out there and I said, ‘Man, where’s my audition?’ They said, ‘You got the gig.’ So I got my job just by warming up.” Clearly, Mustaine's inimitable style made the right impression. Mustaine was recruited on the spot. The rest was history.
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Recently, Mustaine revealed the life-changing diagnosis that ultimately led to his decision to retire Megadeth.
Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology and how it is shaping the future of the music industry, and has a special interest in shining a spotlight on traditionally underrepresented artists and global guitar sounds. She also had the pleasure of interviewing Melissa Auf der Maur, Yvette Young, Danielle Haim, Fanny, and Karan Katiyar from Bloodywood, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her Anglo-Maltese, art-rock band ĠENN.

