“The longer it goes, the better the guitar is going to sound”: Jason Isbell has shared his bizarre method for breaking in new acoustics – and you’ll never guess what it is

Jason Isbell performs on stage at Sentrum Scene on November 05, 2024 in Oslo, Norway
(Image credit: Per Ole Hagen/Getty Images)

The release of Jason Isbell’s two new signature Martin guitars is big news in the acoustic guitar world. What's perhaps even bigger news is the fact Isbell has also shared his method for breaking in new acoustics. And it is insane.

Isbell, echoing comments David Gilmour made last year, believes guitars sound better with age. And though he reckons Martin’s contemporary creations can grow to sound just as good as the builds from its golden age, that’s going to require some patience. Luckily, he has a method for speeding up the process.

“It's one of those things that the longer it goes, the more the pores dry out and widen and the wood gets lighter and thinner over the years, the better the guitar is going to sound,” he accepts. “I recommend putting it in front of a couple of stereo speakers when you leave the house and turning it up really loud.

“I normally use Outkast or something, just so when I come home, Outkast is playing on the stereo. It makes me happy. But all my new acoustic guitars get to listen to Outkast for about 40 hours the first week they're in the house.”

Meet the 0-17 Jason Isbell and 0-10E Retro Jason Isbell - YouTube Meet the 0-17 Jason Isbell and 0-10E Retro Jason Isbell - YouTube
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With Martins in particular, Isbell feels there’s great value in this process.

“Martin is the quintessential American guitar company, certainly for acoustic instruments,” he states. “I've tried everything else and I still prefer Martins, old ones and new ones.”

Isbell’s Martin collaboration comes after the launch of his new Tim Shaw-voiced signature Telecaster pickups, and a Gibson Murphy Lab reissue of his famed “Red Eye” Les Paul.

He's also come to the aid of beginner guitar players, offering advice on how newbie strummers can get over the hardest part of learning the guitar.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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