“You think of him as a songwriter and a singer really, but as a bass guitar player, it’s next-level”: Johnny Marr recalls his “mind-blowing” experience playing alongside Paul McCartney – and why Macca reinvented the bass

Left–Paul McCartney performs on stage on the Paul McCartney World Tour, Ahoy, Rotterdam, Netherlands, 11th November 1989. He is playing a Wal 5 string bass guitar; Right–Johnny Marr performing on stage circa 1980s
(Image credit: Left–Rob Verhorst/Redferns/Getty Images; Right– Donna Santisi/Redferns/Getty Images)

Performing alongside Paul McCartney must feel nothing short of surreal for those who've been lucky enough to experience it. Johnny Marr knows that feeling first-hand – and he recently recalled what he learned from his “mind-blowing” jamming sessions with Macca.

“If you take a band like the Beatles – they always come to mind because they’re the yardstick everyone thinks about,” he says on The Overlap podcast.

“Paul McCartney, on the other hand – and speaking as a musician – I had a mind-blowing experience playing with Paul McCartney when I was younger.”

Marr goes on to say Macca is equivalent to having “two guys” in a band, “Because he’s so melodic, he’s so attitude-y, and just [has] amazing musicality.”

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“You forget, actually, about what their craft is,” he asserts. “And Paul McCartney reinvented a way of playing the bass. You think of him as a songwriter and a singer really, but as a bass guitar player, it’s next-level, really.

“I think that was really deliberate. I think he took great pride in being... he wanted to be the best bass player in the world.”

The Beatles as a whole revolutionized music, but as Marr notes, Macca's bass chops were equally evolutionary, helping to transform the traditionally 'background' instrument into a melodic force that could carry hit after hit.

Post-Smiths, Marr developed a reputation as a gun for hire, which included a brief period during which he jammed with the Beatles bassist.

“I didn’t do a recording session with him as such, but we did get together for a good long eight-or-nine-hour day, and just played and played and played very intensely, really loudly,” he told The Autojubilator in a 2013 interview.

“Which was pretty great, obviously. I remember everything about it. We played I Saw Her Standing There, Twenty Flight Rock, Tutti Frutti. I got him to play Things We Said Today, and I think we played some Wings stuff. C-Moon, I remember. That was fun. He and I were singing harmonies on I Saw Her Standing There – that was a pretty good moment, too. I was only 23, maybe 24.”

Marr recently launched his latest signature Jaguar with Fender, and shared what he hopes this new version communicates to the next generation of guitarists.

Janelle Borg

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.

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