Terrible Guitarist Mistreats His Cat, Is Repaid with a Flower Pot to the Head — Video

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It's a shame it wasn't a bowling ball.

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Guitar World Staff
Guitar World Staff

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Justus West wearing headphones and playing guitar with a bassist
“The Beyoncé effect is, in fact, real. I got a lot of traffic just from people checking the liner notes”: With three Grammy wins and plaudits from John Mayer, Justus West is one of modern session guitar’s MVPs – but it hasn’t been an easy ride
Norman Harris of Norman's Rare Guitars poses with a Les Paul at his legendary Tarzana, California guitar store.
“I met Joe when he was 12. He picked up a vintage guitar in one store and they told him to leave. But someone said, ‘This guy called Norm will let you play his stuff’”: The unlikely rise of Norman’s Rare Guitars and the birth of the vintage guitar market
Lee Malia Jackson Pro Series LM-87 signature
“I used to weigh my guitars and use the heaviest one. As I’ve got older and my back’s got worse, lighter guitars are definitely better”: Lee Malia’s Jackson signature completes a full circle 20 years in the making – and it redefines what a Jackson can be
John Mayer and Bob Weir [left] of Dead & Company photographed against a grey background. Mayer wears a blue overshirt and has his signature Silver Sky on his shoulder. Weir wears grey and a bolo tie.
“Every tour was the best I could have done. It was only after that I would listen to more Grateful Dead and realize I hadn’t come close”: John Mayer and Bob Weir reflect on 10 years of Dead & Company – and why the Sphere forced them to reassess everything
June Millington performs onstage with Fanny at City Hall in Newcastle upon Tyne, England on May 30, 1973
“I use a spark plug to play slide. It's a trick Lowell George showed me. It gets incredible sustain – metal on metal”: In the face of sexist skepticism, Fanny's June Millington carved a unique six-string path, and inspired countless players in the process
A black-and-white action shot of Sergeant Thunderhoof perform live: [from left] Mark Sayer, Dan Flitcroft, Jim Camp and Josh Gallop
“There’d been three-minute solos, which were just ridiculous – and knackering to play live!” Stoner-doom merchants Sergeant Thunderhoof may have toned down the self-indulgence, but their 10-minute epics still get medieval on your eardrums
Patrick James Eggle is photographed in. his workshop with a vintage screwdriver in the foreground.
“For years, the only 12-string acoustics I got my hands on, the necks always pulled off after a bit. I earned a lot of money replacing them!” Why one of the UK’s most prolific luthiers is a bolt-on acoustic die-hard
A black-and-white photo of Lea Thomas with her T-style electric guitar
“I was writing songs from eight years old, but once I got a guitar I began to deeply identify with music… building an arsenal of influences”: How Lea Thomas uses guitars her dad built to conjure a magic synthesis of folk, pop and the ethereal
Sade Sanchez
“I liked that they were the underdogs. It was not the mainstream guitar. It was something that was hard to find”: Vox guitars deserve a second look – just ask L.A. Witch’s Sade Sanchez, who’s teaming hers with ugly pedals for nouveau garage rock thrills
Eric Clapton performs onstage with the Yardbirds in Brighton, England on June 11, 1964
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