“It was so heavy to lift as an 11-year-old”: Josh Homme’s first guitar amp wasn’t even a guitar amp

Josh Homme of Queens of the Stone Age with his signature Peavey Decade Too combo amp
(Image credit: Press)

Amp Week 2026: For many guitar players, their first amp is a predictable choice. Maybe it was an affordable Marshall or Fender five-watt combo – or, for those of a certain age, a primal modeler like the iconic Line 6 Spider or Peavey Vypyr.

For a young Josh Homme, who would later make his name in Kyuss and Queens of the Stone Age, it was something a bit more obscure – something that would set the scene for the left-field gear picks for which he'd later be known for.

“My first amp proper was an Ampeg VT-40, and I still have it,” he tells Guitar World. “It was so heavy to lift as an 11-year-old.”

Article continues below

Ostensibly a bass amp, the VT-40 was a choice that didn’t necessarily match Homme's instrument as an electric guitar slinger. In fact, he bought a Teisco Del Rey Tulip at the same time as the VT-40, and, in his own words, found that “two wrongs don’t make a right, but 40 wrongs make a weird.”

“I knew I wanted something old, because it's such a tactile sensation,” he says. “The knobs on an amplifier mean something. And if they’re not to my taste, it sort of turns me off.

“In Liar Liar, they say, ‘Don't judge a book by its cover. But that's what people with a shitty cover always say,’ right?” he goes on. “Of course, the cover matters. I do this solely by visual, and then sort of just make it into being.”

Close up of Ampeg logo

(Image credit: Future)

Later, when Kyuss broke up, and he kick-started life with Queens of the Stone Age, Homme left the amp behind, finding a new, unassuming secret weapon that has since become his first signature amp.

But Peavey wasn’t the first firm to approach him about a collaboration. Homme also revealed to Guitar World that he turned Ampeg down for one particular reason.

Elsewhere, Homme has credited his off-kilter playing style to his ‘oompah oompah’ upbringing, and has explained why he always writes his songs on acoustic guitar first.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

You must confirm your public display name before commenting

Please logout and then login again, you will then be prompted to enter your display name.