Latest Updates
![Joe Bonamassa [left] wears shades takes a solo on vintage Gibson Les Paul; B.B. King [right] wears a cream suit and takes a solo on a red Gibson ES-355 at the 1969 Newport Jazz Festival](https://cdn.mos.cms.futurecdn.net/fcHMzdytCgLhP6ivPZHUih-320-80.jpg)
Joe Bonamassa on his friendship with the ultimate bluesman, B.B. King – and paying the ultimate tribute
By David Mead published
B.B. King would have celebrated his 100th birthday in September last year. But when Joe Bonamassa discovered that the centenary was going almost unnoticed, he swung into action

What really happened with Cream behind the scenes? Ginger Baker’s daughter reveals all
By David Mead published
Nettie Baker’s new book Cream Chronicled debunks a few myths about one of rock’s most influential power trios

Why Leo Fender’s favorite custom color finish still drives guitarists wild
By Huw Price published
As this small selection from a very large vintage collection proves, Candy Apple Red looks fantastic on any Fender guitar – but the process of applying it changed over the years

The life and legacy of the Grateful Dead icon Bob Weir
By Andrew Daly published
Remembering the Grateful Dead co-founder, songwriter and rhythm guitarist, and legend of the San Franciscan psychedelic scene

The history and mysteries of Eric Clapton’s Cream guitars
By Neville Marten published
The history of Eric Clapton’s guitars during Cream’s brief but influential existence – from Fresh Cream to Goodbye – reveals an intriguing mix of instruments but also offers up a mystery or two
![Five contemporary blues heroes [l-r]: Marcus King, Samantha Fish, Zach Person, Philip Sayce, Jared James Nichols.](https://cdn.mos.cms.futurecdn.net/eB6QVhAGnzFKyhwBXCfJfW-320-80.jpg)
5 modern blues guitar heroes on the impossible task of imitating the blues greats
By Charlie Wilkins published
Blues and rock is still being shaped by the British blues boom of the ’60s – and the O.G. bluesmen who influenced them. But how can today’s players nail their tone and sound? Marcus King, Samantha Fish, Zach Persons, Philip Sayce and Jared James Nichols have their say

Swannell Guitars makes an electric like an acoustic with tones that will blow your mind
By Dave Burrluck published
Jamie Swannell makes some seriously high-end acoustics and has applied that knowhow to the IA, a super-versatile, vibey electric that might just be the boutique slide machine of your dreams

“It just floored me”: Inside Fender’s mission to bring the ’62 Super Amp back from the dead
By Charlie Wilkins published
Long hidden in the shadows of Fender history, the early ’60s brown-panel Super Amp has reemerged. Senior product manager, Rick Heins, talks us through its rebirth

How Pavey Ark are reinventing acoustic guitar with pedals, fake nails and a $60 nylon-string that holds its own in any company
By Amit Sharma published
Neil Thomas’ adventurous playing and ear for unorthodox tuning finds the English collective exist between two worlds of traditional and neo-folk

From sleeping in tents to Woodstock, rock ’n’ roll's ‘Forrest Gump’ Leo Lyons shares the story of Ten Years After
By Henry Yates published
The Ten Years After bassist survived Hamburg’s Star-Club, sparked the blues boom, achieved immortality at Woodstock – and is still going strong at 82. “Music,” he says, “it’s a drug…”

Mike Vennart on the Squier Strats that are simply unbeatable – and why he hates acoustics
By Andrew Daly published
The former Oceansize and long-time Biffy Clyro touring guitarist on his love of off-the-beaten-path six-strings and why you've got to try before you buy

The Newman Torn and Frayed Edition might be the Rolling Stones-inspired T-type we’ve been dreaming of
By Jonathan Horsley published
With vibe and mojo off the charts, this UK boutique build is a stunning example of what a little imagination can do with when applied to Blackguard inspiration
![Rick Parfitt [left] and Francis Rossi give their Telecasters a good thrashing during a 2010 live performance in Perth, Australia.](https://cdn.mos.cms.futurecdn.net/kUajqnE4SGm6cLFQRTgaEi-320-80.jpg)
Francis Rossi opens up on the internal tensions between Status Quo’s two guitar greats
By Jonathan Horsley published
A decade on since Rick Parfitt's death, Rossi reveals how the Quo wasn't big enough for the both of them

Their first single was so bad, the label pulled 10,000 copies. Yet they went on to be one of the most influential supergroups in music history
By Marc Roberty published
60 years ago, Eric Clapton, Jack Bruce and Ginger Baker put together Cream. This is the story of the early years of the power trio that changed the face of popular music, and elevated Clapton to God-like status

Christone ‘Kingfish’ Ingram has learned from the masters on his road to becoming a modern-day blues great
By Amit Sharma published
He might be young, but the Clarksdale, Mississippi phenom has already announced his presence as the world’s bluesman-in-chief

How B.B. King changed Billy Gibbons’ approach to guitar strings
By Phil Weller published
When the King speaks, his subjects listen

When a 13-year-old Jimmie Vaughan was stopped from watching B.B. King play, another blues great came to his aid
By Phil Weller published
Vaughan wanted to watch his guitar hero play live for the first time – and another hero saved the day

“Steve was on the session when history was made”: Why Steve Cropper was one of guitar’s most humble heroes
By Henry Yates published
The departed soul man was the Stax band’s MVP, writing and driving the R&B classics that ruled the ’60s

Is this the holy grail of all holy grail Fender Stratocasters?
By Huw Price published
Only two features distinguished a Mary Kaye Stratocaster from any other Strat that might have rolled off Fender’s production line during the mid-to-late 1950s. So why are vintage examples so darn valuable?
