Here are 5 Black Friday-beating deals from Guitar Center’s holiday sale that I rate as a pro guitar tester

A Fender Player Plus Tele and an Epiphone Les Paul Studio on a red gradient background
(Image credit: Fender/Epiphone)

Here at Guitar World, we’ve been preparing for the Black Friday sales madness for a while now, but we didn’t expect things to heat up quite this early. Pretty much as soon as the clock turned to move us into November, we started to see major sales go live and one of those was Guitar Center’s Holiday Deals with up to 35% off a huge range of guitar gear.

Epiphone Les Paul Studio: Was $599, now $449

Epiphone Les Paul Studio: Was $599, now $449
To be honest, I wasn’t expecting much when I was asked to review the Epiphone Les Paul Studio, but I was happy to be proven completely wrong when I got my hands on it. The Alnico Classic humbuckers are fearsome when paired with a bunch of overdrive pedals and a tube amp, delivering searing tones with endless sustain. 

My favorite sound was drop-tuning the guitar and playing some low and slow doom riffs with buckets of fuzz, a recipe for the most potent ‘stank face’ you’ll ever see. You can check out my Epiphone Les Paul Studio review for a better overview of this brilliant instrument that’s got a hefty $150 discount in the Guitar Center holiday sale. 

Fender Player Plus Tele: $1,099.99, now $999.99

Fender Player Plus Tele: $1,099.99, now $999.99
For many years I considered myself a Strat player until I got my hands on a Fender Player Plus Telecaster. Not only was I completely blown away by the playability of this guitar with its rolled fingerboard edges, but the sound was so much more aggressive than I’d anticipated thanks to the series circuit built into the guitar.

Simply pull up the tone knob and your tone gets fed through both pickups, resulting in a ridiculously fat, humbucker-esque tone that takes this Tele from country bumpkin to proper rock and metal machine. The modern finishes are super cool (I got the Silver Smoke version), although you can get a traditional 3-Color Sunburst or Butterscotch Blonde if you want. It’s got a $100 discount at the moment, but you can bag an extra 10% by signing up for a GC account. 

Line 6 Catalyst 100: Was $399.99, now $329.99

Line 6 Catalyst 100: Was $399.99, now $329.99
Another amp that I’ve reviewed is the Line 6 Catalyst. Following in the footsteps of the ever-popular Boss Katana, the Catalyst also gives you that traditional amp feel with tactile knobs whilst harnessing the power of modeling to give you much more variety. Line 6 has a bit of an association with high gain, but it was the edge of overdrive models that caught my ear here.

The ‘Boutique’ setting is sumptuous and had us noodling endlessly. There are loads of great HX effects built into it too, so plenty of spacious reverbs and interesting delays to utilize in your guitar playing. Our only downside is that there are only two effects slots available at any one time, so don’t expect to be able to go full Mars Volta with it.

UAFX 1176 Compressor: Was $199, now $169

UAFX 1176 Compressor: Was $199, now $169
Okay so full disclosure, I don’t actually own the Universal Audio UAFX 11176 compressor pedal. What I do have however is the plugin this pedal is based upon, and I use it on pretty much all of my own productions for instant vibe. I don’t just use it on guitar either, it goes on vocals, bass, drums, and any other instrument you can think of.

There are many imitators to the ubiquitous 1176 compressor, but we love that the UAFX 1176 has all the versatility of the plugin and the same tone sculpting options we’d get when mixing in the box. Use it as a sustainer, a clean boost, or even an overdrive in dual mode, or just as an always-on tone sweetener for your rig.

Line 6 Relay G10S: Was $269.99, now $229.99

Line 6 Relay G10S: Was $269.99, now $229.99
Going wireless was one of those things I put off for ages but once I did it, I’ve never once wanted to go back. As the sole guitarist in my band, I have a lot of tap-dancing to do with my pedalboard alongside putting on a performance, which makes the Line 6 Relay G10S a key feature of my live rig.

Since going wireless I’ve not noticed any difference in my tone and it fits snugly on my ‘board. I switch between three guitars when I play live and the Relay G10S makes this a breeze too, allowing me to fully concentrate on a quick changeover instead of wondering where the end of my cable has gone. It even has a 9V power input so I can power it with my pedalboard power supply and keep things as ergonomic as possible. 

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Matt McCracken
Junior Deals Writer

Matt is a Junior Deals Writer here at Guitar World. He regularly tests and reviews music gear with a focus on guitars, amps, pedals, modelers, and pretty much anything else guitar-related. Matt worked in music retail for 5 years at Dawsons Music and Northwest Guitars and has written for various music sites including MusicRadar, Guitar Player, Guitar.com, Ultimate Guitar, and Thomann’s t.blog. A regularly gigging guitarist with over 20 years of experience playing live and writing and recording in bands, he's performed everything from jazz to djent, gigging all over the country in more dingy venues than you can shake a drop-tuned guitar at.