We recently caught up with Andy McKee during his tour stop in Nashville, TN. Mr. McKee was gracious enough to take us backstage at Nashville’s Belcourt Theatre for some one-on-one acoustic awesomeness. We’ve got two live videos to share, and first up is the title track from McKee’s Mythmaker EP, which he released earlier this year. “Mythmaker” is a brainy, incredibly melodic composition that McKee performs here with amazing fluidity. His tone is as magic as his touch on the instrument, and it’s always fun to see that baritone Greenfield guitar up close and in action.
Here’s a treat. It’s a hand-selected playlist from the band Greylag. Each song has a special meaning for them, and they wanted to share that with you! Greylag's self-titled debut album was released on October 14th on Dead Oceans.
I grew up listening to James Taylor, and I admit I know pretty much every word of every song he’s ever performed. But when it comes to the guitar parts, that’s something I’ve still gotta work on. Luckily the legendary Mr. Taylor has taken steps to remedy that. He’s posted a series of free lessons on his site that not only run through some of his most beloved songs, they also incorporate new portable camera technology so that you can see his right hand technique from the inside.
2014 has so far been incredibly brain busy for me. I’ve been accepted into a year-long song a week project that has been keeping me up most nights. It’s called Real Women Real Songs II, and I’ll write more about it once I’m deeper into the year. I admit that I write very few new songs a year for my solo work. Somewhere along the lines of about three new songs that I care to play out.
The lovely and talented Sara Bareillies took the stage last night on Jimmy Kimmel Live to perform her single, " I Choose You" from her latest album, The Blessed Unrest. Her instrument of choice for the live performance was The Loar LO-16 small body acoustic. I don't know about you, but I've been seeing smaller body guitars popping up all over the place, and this one is sure worthy of a sit down. I'm told it has that front porch blues-box sound, which seems like a good place to start!
Austin City Limits/em> (ACL) presents Americana music originals, Sarah Jarosz and The Milk Carton Kids in a brand new episode premiering February 1. Both artists showcase their bona fides in an all acoustic hour with roots/folk singer-songwriter Jarosz making a return appearance on the ACL stage and newcomers The Milk Carton Kids in their ACL debut. The episode showcases the young folk acts who were both nominated for Best Folk Album at this year's Grammy Awards.
Violent Femmes, in many ways, were as punk as it comes. Their music was raw, passionate, and completely unique. They never fit into any sort of genre, other than the arbitrary, encompassing “post-punk” label the music industry used for bands that didn’t sound like anybody that had come before. But most impressive of all, they turned their backs on one of rock music’s most basic elements, volume. Violent Femmes were raw and unhinged in the classic punk spirit; and they did it acoustically.
Often, people ask me when, how and where I find inspiration. I generally tell them that I sit down on a couch every day with a blank word document on the screen in front of me and a guitar in my lap. If inspiration doesn't show up at 10:30 when my co-write starts, then I start going through my idea file or playing my guitar.
If there's anyone who can shred on acoustic guitar with jaw-dropping effect, it's Tommy Emmanuel. Here he runs through "Guitar Boogie" and "Stevie's Blues," a song he wrote for the late, great Stevie Ray Vaughan. You might be flabbergasted when you finish watching. You might be shaking your head. Me, I have a big ear-to-ear grin and am gonna hit replay.
Lâg Guitars is now offering the T80 Dreadnought Acoustic and T80DCE Acoustic/Electric guitars in the US. These new guitars are part of Lâg's Tramontane line of acoustic guitars, which are distinguished by their use of fine woods and finishes, proprietary preamp/pickup systems, and a detailed rosette design.
Sevendust didn’t waste any time getting 2014 started the best way they know how: being holed up in the recording studio to create their long-awaited and highly-anticipated acoustic album. TIME TRAVELERS & BONFIRES will be released in April on 7Bros. Records, in conjunction with ADA Label Services. On April 1, they’ll hit the road for their first U.S. headlining tour of the year, entitled “An Evening With Sevendust,” which kicks off in Athens, GA at the Georgia Theatre.
Recording King introduces the Dirty 30's Tenor Banjo, bringing 100 years of history into the present with the rugged, road-ready vibe of the Dirty 30's line. The tenor banjo first came to prominence in the early 1900's, and its C-G-D-A tuning is especially well suited for folk, Celtic and Dixieland music.