“I’d buy a ‘54 Strat, and then I’d sell it, buy one, sell it… I just kept trading them off. I’ve been disappointed in some of those”: Eric Johnson on why a guitar's age, value, and cool factor don't necessarily make it a better instrument

Eric Johnson performs on stage at The Magnolia in El Cajon, California on February 7, 2024
(Image credit: Getty Images)

For some, vintage guitars are the Holy Grail; relics from a time gone by that sound far better than anything built today. Eric Johnson, though, doesn’t affiliate himself with that belief. In fact, he argues that a guitar’s age and value don’t always mean a vintage guitar is going to be a cracker.

David Gilmour once claimed that vintage guitars sound better than their modern counterparts because of what happens to the glue holding them together over time. Joe Satriani, meanwhile, has long since been “disillusioned” by ancient electric guitars and has since trodden a modern-minded gear path. The Cliffs of Dover shredder is more aligned with the latter camp.

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“I had a ’54 Strat and, unfortunately, I sold it because the electronics got damaged,” he tells Guitarist. “I had it rewired, but it never quite sounded the same. It was a wonderful guitar. I wish I had just kind of gone, ‘Okay, just put it in the closet and someday you’ll run into an old pickguard,’ but I was like, ‘Ah, it’s no good anymore. I’ve got to find another one.’”

“I’d buy a ’54 Strat, and then I’d sell it, buy one, sell it... I just kept trading them off,” he expands. “I’ve been disappointed in some of those. I don’t think that every single old guitar necessarily means you’re going to get the perfect guitar just because it’s old and cool and original and worth money.

“I have bought vintage guitars before, and you think they’re okay, but once you start playing songs and playing with a band and doing what you do, you realize they’re not really going with you like you need them to.”

Eric Johnson performs as part of Experience Hendrix at Ovens Auditorium in Charlotte, North Carolina on April 9, 2025

(Image credit: Getty Images)

There are others, too, who fail to buy into the vintage hype, with Adrian Smith deriding old Les Pauls, and Cory Wong being less than smitten by old-school Klons – although it’s a different story when it comes to six-strings.

Yet, while seeing Johnson strutting on his stuff on a ‘50s Strat is something of a rarity, he has been caught playing Dave Mustaine's Dean V, in a rather strange turn of events.

Read Eric Johnson's new interview in full in the latest issue of Guitarist, alongside a huge feature on the Telecaster as it celebrates its 75th birthday.

Issues can be bought from Magazines Direct.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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