“A no-compromise amplifier solution”: Synergy teams up with Wampler and Friedman to launch its machine-learning power amp – and promises to change the game for tube modeling

Brian Wampler’s PEDALHEAD (left) and the Dave Friedman IR-LOAD (right)
(Image credit: Wampler/Friedman/Synergy)

NAMM 2026: Synergy Amps, which has long looked at the amplifier world in alternative ways, has debuted its new machine-learning power amp technology for “a no-compromise amplifier solution.”

The tech is debuting in two new products, both of which offer the travel-friendly sizing while being powered by machine learning that tracks your cab's behavior to react as a tube amp would. Packing impulse responses too, no cab is needed to enjoy its magic.

Neural DSP has invented a special amp capturing machine, TINA, to do so, and Vox’s new Valvetronix amps prove that hybrid, best-of-both combo amps can also be a viable solution. Now, Synergy has offered its own answer to the conundrum.

In short, the new tech is designed to “combine the convenience, light weight, and power of class D, with the tone and feel of tubes,” and Synergy has partnered with some big names to bring it to life.

It's teamed up with Brian Wampler, of Wampler pedals, for the Wampler Pedalhead – a pedalboard-friendly 240W (60 tube watt equivalent) stereo power amp with IR loader, MIDI, and six power amp models.

Beyond that, there’s the Dave Friedman IR-Load, which saw SatchVai Band’s other guitarist, Pete Thorn, involved. It’s an all-in-one 360W (90 tube watt equivalent), stereo power amp/load box/attenuator/IR loader/MIDI.

Synergy Amps Wampler Pedalhead

Synergy Amps Wampler Pedalhead (Image credit: Synergy Amps)

So what makes the tech so special? As Synergy explains, tube amps boast touch sensitivity and harmonic complexity thanks to two factors: the nonlinear behavior of their vacuum tubes and the real-time interaction between the amp and its speaker cabinet.

Class D amps, meanwhile, have improved the portability and efficiency of amps, but Synergy argues that their inherent low-impedance output stage makes mimicking a tube amp properly rather difficult.

“Synergy’s invention takes a fundamentally different approach,” it says, “combining high-efficiency, low-impedance Class D output stages, advanced digital signal processing, and a proprietary, patent-protected Machine-Learning system that continuously measures voltage and current in real-time at the speaker output.”

What that means is when you plug into a cab, the tech quickly learns its impedance through “controlled sweeps.” Monitoring continues in real-time, adapting as it does to mimic tube amp behaviors, including sag, compression, frequency-dependent damping, and harmonic richness.

The Wampler Pedalhead is big for a pedal, but small for something that is ostensibly a tube amp in a box, with simple controls.

There's a Master Volume alongside knobs for the DI Level, Presence, and Depth, providing a solution when a cab proper isn't available. Its IR loader can be bypassed via a mini-switch, and there's a switch for Mode/Store, but it doesn't create amp tones in itself; rather, it gives your rig tube amp-like realism while other gear handles the rest.

The Friedman IR-Load, available in head and rack-mounted formats, does likewise. There are stereo controls for Reactance, IR Level, Depth, and Presence for each side, as well as IR bypass mini-switches, an Amp In dial with a -10dB and +4dB mini-switch, and a headphone port and volume control.

The products will be officially showcased at NAMM tomorrow (Jan 22), and at the time of writing, there are no prices listed.

However, what's clear is that this is a fresh way of looking at the tube amp tones versus modeler portability problem, and it looks like it can live in rigs alongside amp modelers of all kinds. It's not gunning to replace them; it wants to make them sound better than ever before.

Keep your eyes on Synergy Amps for more.

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A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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