Reviews archive

February 2026

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22 articles

February 27
- "A successful first foray into amp and effects modeler floorboards for the firm, which has a really bright future in the space": Blackstar ID:X Floor One review
February 26
- "Easily one of the most desirable electric guitars under $1,000 that I've played": Eastman FullerTone Offset '62 review
February 25
- “Surely the most vicious artist series model in the Gibson catalog”: Gibson Mark Morton Les Paul Modern Quilt review
- “In a world where streaming is king and few people own the music they listen to, the BandBox Solo’s ability to conduct stem separation from a Bluetooth source is incredibly useful”: JBL BandBox Solo review
February 24
- “It feels like you’re plugged straight into an amp, rather than a pedal”: ThorpyFX x Lazy J The J review
February 21
- “Even with their sub-$500 tickets, these guitars have been built with some degree of care and expertise”: Epiphone J-45 Studio and J-200 Studio review
February 20
- “Its tonal quality is a match for boutique offerings from smaller high-end manufacturers”: PRS DGT 15 Combo review
February 18
- "There’s clarity where you want it, and a glorious wall of noise when you need it": Laney Black Country Customs Billy Corgan Supergrace Loudpedal review
February 17
- "A triumphant first all-analog pedal from Strymon, which will inject your rig with some impressively usable and versatile drive tones": Strymon Fairfax Class A Output Stage Drive pedal review
February 16
- “My only frustrations are with its unstable tuning, which dampens an otherwise fantastic playing experience”: Cort Space G6TR review
February 13
- “A very good guitar with an evocative backstory”: Gretsch Limited Edition Abbey Road RS201 Studiomatic review
- “Delivers surprisingly good amp models and one of the best AI practice tools I’ve ever used”: JBL BandBox Trio review
February 11
- "The combination of onboard multi-effects and a looper on a travel acoustic is an inspirational proposition here": Cort Earth GO 3/4 Dreadnought guitar review
February 10
- “Far, far from limited to our man in terms of its potential use”: Fender Johnny Marr Signature Special Jaguar review
February 9
- “Set your preconceptions of the band and brand aside – this is a very capable bass”: Epiphone Mike Dirnt Grabber G-3 review
February 7
- “You can’t help being convinced that if a guitar looks like a dread, then it’s going to sound like one, too. But not here”: JWJ Chorale Select review
February 6
- “An outline that’s both striking and original with an almost bygone vibe”: West Valley Indiana review
February 5
- “At long last, a DAW puts the guitar at the very heart of its operations”: Fender Studio Pro 8 review
February 4
- “An incredibly powerful, immensely versatile pedal that crams gold-standard modeler experiences and sounds into the smallest form factor possible”: Neural DSP Quad Cortex mini review
February 3
- “Runs the gamut from boost through to fuzz-flavoured distortion”: Dinosaural Hypoid Drive review
February 2
- "Fractal's renowned amp modeling at a lower entry price": Fractal AM4 review
- “Having played some pretty off-feeling versions over the years, getting them back as they were is more than worthy”: Gibson Les Paul Junior Double Cut and Les Paul Special Double Cut review