In this week's Monster Licks, I am — once again — pushing the boundaries of the minor pentatonic scale. The harmonic qualities of this scale really resonate with me. I know this may sound strange because this lick is played at high speed, but for me, the scale never looses its melodic beauty, no matter how fast or slow it’s played.
Today, GuitarWorld.com presents an exclusive lesson video by Owl guitarist Jason Achilles Mezilis. In the video, which you can check out below, Mezilis shows you how to play "Send," a song from Owl's new album, The Right Thing, which was released April 9 by Overit Records.
One of the most common questions I get from jazz guitarists is, “How do I bring a more modern sound into my solos?” While there is no single answer, there are a few things we can do in order to inject a bit of modern jazz flavor into our lines. The first modern-jazz concept I like to explore with students is to think and play two chords at once over a single harmony.
I forgot to tell you that in some circumstances, you might find it easier to arrange some of the notes differently than what the tab states in certain sections. As long as you are playing the exact same notes, it is totally fine to rearrange the positions on the fret board in order make it easier for you to play. The tab is just a suggestion for where the notes should be played.
In the first installment of my new Monster Licks series, I'm going to take you through my extensive pentatonic lick library. These licks are the product of many years of hard work, and I'm glad to be sharing them with you! The straight (minor) pentatonic scale often gets overlooked when soloing. I find that most guitarists tend to head to the blues scale or other variations of the pentatonic because they find the straight scale a little limiting.