In this new Guitar World video, GW's tech editor, Paul Riario, shows you how to make basic adjustments to your guitar's truss rod. In the clip, which you can check out below, Riario is joined by an Epiphone ES-339 PRO and a Fender Strat.
If I had to pick one thing I place highest in importance when it comes to guitar playing, it would be originality. I am not a fan of the tried-and-true cliché licks that have been used forever by so many guitarists. To me, it’s simply a cop out to mimic fast phrases or standard rock licks that we’ve all heard a million times before. I think it’s much more interesting and appealing to strive for originality through spontaneity and invention.
In its most basic form, the lick is a sequence of six notes played as a sextuplet or two sets of triplets (depending on the tempo). The notes are played on the same string, which makes it very easy to alternate-pick and build speed. Once you have mastered the basic pattern, you can apply the lick to different scales and positions to give an almost endless amount of variations.
In this lesson, I’ll be taking one of the most common sweep picking patterns (EXAMPLE 1) and showing you how to slightly alter it, creating several different arpeggios. It’s a cool way to take something ordinary and give it a more unique sound and vibe.
These videos and audio files are bonus content related to the November 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
Since we guitarists tend to enjoy sick sounds, we thought we'd share this lesson video by Swedish guitar whiz Mattias Eklundh. In the clip, which is titled "Harmonics #5," Eklundh lays down some basics about how harmonics work.
Guitarist Troy Grady hosts a web series called "Cracking the Code." In each episode, he breaks down a phrase — or something he has learned — and then explains it in a detail-packed way that includes an information- and graphics-packed video.
I begin in ninth position with a fairly compact shape that spans the ninth to 12th frets. At the end of bar 1 and moving into bar 2, the fret hand shifts down two frets and spreads out to cover a four-fret span, from the seventh fret to the 11th. Use your first, second and fourth fingers to fret the notes.