Well, it could be anything. A lot of times it's a chord progression [Fig. 1], or just some groove. Around the time we were writing By the Way, I'd always be coming in with chord progressions like that-ones that have a real open, "human" sound to them. Something like that might end up being a section to a song. But sometimes those things don't go anywhere; they just go into the air. And I never remember anything, unless it's a thing I've justbeen doing. So I use a tape recorder a lot to record ideas.
What's up Dad, we're back! Last time we got into using the whammy bar to make natural harmonics scream back up to pitch. In this column we're gonna be using the bar to to pull these jewels up to notes that are higher than their regular pitch. One example is screaming the harmonic at the 4th fret (regular pitch is B) on the G string all the way up to D (Figure 1).