From the overdriven sounds of Jimmy Page and Tony Iommi to the out-of-this-world prog tones of David Gilmour and Alex Lifeson, the Seventies were pivotal in creating some of the guitar sounds that are still being ripped of today's class of rock guitarists. Whether you're putting together the ultimate Pink Floyd or Led Zeppelin tribute band or just trying to add a bit of vintage flare to your modern-rock masterpiece, the pedals on this list are sure to help you recapture some of that groovy Seventies magic.
You don't have to be surf-rock legend Dick Dale to appreciate a touch of reverb on your guitar's signal. Even a smattering of reverb adds character and generally makes things sound warmer, friendlier and twangier, all while fooling your poor brain into thinking you're rocking out in a fan-packed stadium.
Electro-Harmonix Introduces Deluxe Bass Big Muff Pi, an enhanced version of the company's Bass Big Muff. The new bass-specific pedal adds to the Bass Big Muff’s Volume, Tone and Sustain controls, beginning with a pad on the input that is switchable between 0dB and -10dB. This ensures that the pedal is equally effective with passive and active pickups.
Just in time for this week's Winter NAMM Show, Electro-Harmonix has introduced the H.O.G. 2. This second-generation Harmonic Octave Generator/Guitar Synthesizer builds upon the legacy of the critically acclaimed H.O.G.
Riding the coattails of its new Crying Tone wah pedal, Electro-Harmonix has introduced the Talking Pedal. The pedal uses the proprietary design of EHX’s Next Step Effects and is the second pedal to be released in the line.
The Crying Tone resembles a slim, contoured brick with an angular bottom that allows you to rock the wah back and forth on the floor. It features input and output jacks, a calibration button (important for adjusting its sweep depending upon the slope of the surface), and operates with a 9V battery or optional power supply.