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Dweezil Zappa shares the surprising beginner guitar lessons he learned from Eddie Van Halen
By Matt Owen published
Zappa first met Van Halen when he was just 12 years old, and it wasn’t long before he was receiving lessons from the guitar god – on his legendary Frankenstein
How Wayne Krantz forged his raw, rhythmic approach to fusion guitar
By Nick Mellor published
Here is a lesson inspired by the jazz great that will help the advanced players out there take their improv chops to the next level...
“He had one of the greatest finger vibratos of all time”: Jared James Nichols on the guitar genius of Free’s Paul Kossoff
By Jared James Nichols published
Kossoff is one of Jared James Nichols’ six-string heroes: he unpacks the Free guitarist’s signature vibrato and phrasing
Rodrigo Gouveia masterclass: learn how to emulate horns and piano like the neo-soul maestro
By Rodrigo Gouveia published
Crossing the boundaries of jazz, soul and soul, this JTCguitar lesson presents practical strategies for expanding your sound with melodic embellishments and triads that fill the mix
“It works every time… although you'll ruin your pick”: How to end a slow blues solo, by Joe Bonamassa
By Joe Bonamassa published
Drawing upon B.B. King's seminal Live at the Regal, JoBo offers pointers for "high-note activity" and the emotional build-up before deferring to Jeff Beck for the coupe de grace
How Queensrÿche's Michael Wilton and Chris DeGarmo became two of metal's most cerebral riff-masters
By Jamie Hunt published
Queensrÿche's high-concept metal still feels cult even though the Washington band are bona-fide platinum-selling stars. DeGarmo and Wilton's approach can be applied across all metal subgenres, too
Can’t figure out why your improvised solos don’t feel right? Here’s how to fix them
By Justin Sandercoe published
It's not uncommon for competent players to become unmoored from rhythmic reality when vamping in a solo, but it's crucial to keep the beat at all times, and there are some practical ways you can do that
Proggy Pentatonic! How to Use the Good Ol’ Pentatonic Scale in Cool New Ways
By Guitar World Staff published
His playing had an intensity and drama that even Eric Clapton admired – and it all started with classical guitar: Paul Kossoff was a rare genius
By Richard Barrett published
It was Clapton's work with John Mayall that electrified the Free guitarist's imagination. Then it was Marshall stacks, a Les Paul and a wicked vibrato…
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