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April 2026
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14 articles
- April 2
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- “The two things I remember are the cool guitar stuff… and this never-ending scream”: Billy Corgan on the first time he met Courtney Love and witnessed Hole live
- “The whole rig went completely silent – 10,000 people started booing me”: The 17-year-old guitar prodigy who flourished with Dio, but got off to a nightmare start
- “Peter had such a glorious touch thanks to his wonderful simplicity. But then he went off the rails and became a gravedigger”: How 10cc’s Rick Fenn ended up working with David Gilmour, Peter Green, Mike Oldfield, and almost all of his other heroes
- “It will take time to build up the accuracy that the riff demands”: Welcome to Mike Stringer’s downpicking bootcamp
- April 1
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- One of Slash's Guns N' Roses reunion tour Les Pauls expected to fetch up to $400k at auction
- “What happens when you do more with dramatically more?” Quilter Labs unveils The Vamp, a four-wheeled, 200,000-watt guitar amp
- Paul Gilbert: What I learned and taught at GIT
- “Get the data-driven results musicians dream of”: Chibson and Acorn Amps team up for the definitely-not-Google Drive pedal
- “If you talked to me when I was 25 years old, I would have been frightened to take a solo after Joe Satriani…” Why Cory Wong is no longer afraid to trade leads with his heroes
- “Way more rare than a Klon”: JHS Pedals pays tribute to mysterious pedal builder with the Coyote – a new fuzz based on one of the rarest pedals of all time
- “I just remember thinking, ‘I can’t play this thing’”: Why Steve Vai struggled to play Brian May’s iconic Red Special
- “I got to play with Layne and Chris and Lanegan. Now they’re gone. What would they be doing now? That haunts me to this day”: Mike McCready opens up on his new rock opera, the Seattle jams that changed him, and the future of Pearl Jam
- “The phone rang. It was Paul McCartney. That’s when I knew we’d found it”: We meet the man who reunited Paul McCartney with his long-lost Beatles bass
- “Björn and I met and discussed what it could look like. It had to be shiny and sparkling”: How a Swedish luthier used by Led Zeppelin and Eric Clapton created the iconic ABBA star guitar
